FOR: Monday, February 21st, 2011
Today was my third lesson!
For the past week, I've been working on this one repertoire piece called "Day Dreaming" by Dolly E. Kessner. I've been having such trouble with it because it's a very... awkward(?) piece. There are seven beats per measure, unlike your standard/average four beats per measure. And especially since the number of beats are odd instead of even, it is very difficult (or at least for me) to keep up with the rhythm of the piece while exercising all other areas (volume, tempo, notes, etc.) This was one of the major pieces I worked on during my lesson with Mrs. Miller today. Since my metronome doesn't have seven beat per measure, she suggested that if I still had trouble, it's best to put the metronome on one beat per measure and just count. My trouble was that I wanted to make the number of beats even, and I kept leaving an extra rest at the end of each measure. When I finally got the beats right during my lesson today, I got the notes wrong... however, after my lesson, I came home and practiced this piece for half an hour more and now I think I've got it down (:
One of the other songs I worked on during my lesson today was "When the Saints Go Marching In" [page 61 of the Progressive Class Piano book]. This is a version edited by Elmer Heerema [author of Progressive Class Piano]. When I had first started learning piano, years earlier, I had learned a different version of this song, so I kept getting the notes wrong because my hands remember the piece differently. Mrs. Miller says that this is how one learns to memorize a piece, because you practice it enough that your fingers remember how to move, your muscle remember how to react. And since this was one of my favorite easy songs to play back then, I kept making mistakes in attacking the piece. Of course, with enough time, the piece came out perfect!
Something interesting I began to look up was the history of this song, "When the Saints Go Marching In". Although this might not be the best source from which to reference, I looked this song up on Google, and found it on Wikipedia.
Wikipedia gives a rather good overall background on this song. This was traditionally meant for accompaniment to a funeral march, a "jazz funeral" to be specific. I was looking for an original version of this song, and according to Wikipedia, the original was copyrighted by Oliver Virgil Stamps. I kinda got bored after that and stopped reading the rest...
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